From Russia with Love

Genre: Action, Adventure, Thriller,

Actors: Sean Connery, Robert Shaw, Lotte Lenya, Daniela Bianchi,

Directors: Terence Young, Richard Maibaum, Johanna Harwood, Ian Fleming, Berkely Mather,

Production: Eon Productions

Duration: 115 Menit

Quality: 360p

Release Date: 14 February 1964

Countries: UK

James Bond 007 is on the search for a Russian decoding machine, known as "Lektor". Bond needs to find this machine, before the evil S.P.E.C.T.R.E. organization discovers it. While being romantically linked with Russian girl, Tatiana Romanova, Bond sneaks his way around Istanbul, while each S.P.E.C.T.R.E. Agent tries to pick him off, including the over powering Donald "Red" Grant and ex K.G.B. Agent Rosa Klebb, who knows all of the tricks in the book, and even possesses an incredible poison tipped shoe.

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Definitely an excellent movie (Bond series or otherwise). Some may not enjoy it as much- because of its age or it is not part of the later formulaic Bond movies, but they miss the point. The plot is solid, understandable, believable, and full of twists. The scripting is fantastic and the character interplay, introduced in "Dr. No," are more fully developed here. The story involves a plot by SPECTRE to steal a soviet encoding/decoding device (the Lektor) and discredit James Bond at the same time. If it also pits the West vs. the East to the profit of SPECTRE, all the better. A soviet encoder tech in the Russian consulate in Istanbul, Tatiana Romanova, (played by Daniela Bianchi) is asked to fall in love with Bond and promise to hand over the decoder if he helps her defect. However, the mission is not Russian, but SPECTRE originated. The Brits smell the trap but send Bond anyway, in hopes of foiling the trap and getting the Lektor themselves. A story of plots within plots and devious turns until the very end, the movie moves, and best of all, ties up the loose plots by the end. Fantastically choreographed, filmed in wonderful locations (Istanbul/Turkey, Italy, and Scotland (posing as the Balkans region of Yugoslavia and Bulgaria), it is quite extraordinary for its genre and time. What makes this Bond work is that Connery is still young and into the idea of being Bond, and the supporting cast is brilliant. Along with most of the Bond regulars like M (Bernard Lee) and Moneypenny (Lois Maxwell), a slew of wonderful characters aid or oppose Bond along the way. Of special note is Pedro Armendariz (who was dying of cancer during the filming) who plays Karim Ali Bey, head of Station T (Turkey). His performance may be the finest supporting role in a Bond film, both clever and humorous, he really steals his scenes. Robert Shaw plays the brute/heavy Red Grant and is maybe the best heavy of all the Bond films. Some may like Jaws more, but Shaw's Grant is diabolical and cold-blooded in ways Jaws could not be (also, Grant is not victimized by some corny jokes as Kiel's Jaws was). Lotte Lenya plays former Russian SMERSH agent Col. Klebb and is equally brilliant. And if you watch close, you may see one of the first ever suggestions of gay/lesbian orientation in major cinematic history. The movie is a wonderful "spy" movie with lots of action as opposed to an action/special effects film with a spy element. This is Bond as it should be- intrigue with detective work, traitors, hidden allies (and enemies), mystery, suspense, and action. This is a tale of espionage- fighting the Cold War (or criminal element), not saving the whole world from one maniac with a paid army.

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